Social Media, Digital Video and Health Promotion

Storytelling and Technology: Books, Libraries, Rhythms and Films

In June this year ABC’s The Drum published Once upon a time loving books was easy, my op ed that explored the social experience of books, literacy development and technology. This week Screen Education ran Cutting With Rhythm, my new profile about Ben Joss (pictured), a film and television editor I’ve worked with on short film productions, and the ‘rhythmic programming’ that shapes the way he cuts footage. I’m pleased with how both stories turned out. Since finishing my Post Doctoral Research Fellowship I’m building on my interest in how people use technology for communication, but in media spaces beyond health promotion.

My short term teaching duties in the Arts Industries unit at Victoria University left me with little time and made writing, blogging and participating in social media more difficult. Now that classes and marking have finished, I’ve been able to reflect on these non-fiction pieces. What stands out for me from a writing and research perspective is that the articles consider the factors shaping how technology is used and applied – including where they limit engagement with storytelling, and where they facilitate creativity. Although they are quite different stories, and I did not plan to write them together, this work continues my exploration of the relationship between people and technology, and the context that influences the production of text and audio+visual content across a range of digital media platforms.

The Drifters @ Meanjin

A few years ago I began researching ‘creative non-fiction’ as a concept and platform for my writing, and found two fascinating books: From Hipsters to Gonzo: How New Journalism Rewrote the World by Marc Weingarten; and, Tom Wolfe’s collection of essays, The Kandy-Kolored Tangerine-Flake Streamline Baby. I’m also a fan of Hunter S. Thompson’s work (like many other writers), particularly Fear and Loathing in Las Vegas, and more recently Andrew Ricketson has written an excellent essay over at Meanjin about ethical issues in Truman Capote’s In Cold Blood. I am keen to learn more about ‘gonzo’ and its relationship to non-fiction writing, and how narrative, subjectivity and fiction writing techniques can be applied to non-fiction stories.

The Drifters is my new essay that has grown from my interests in this field. It is about Billie Anne Baird, a young woman who is one of a small number of female drivers in Victoria that build, modify and drive cars in ‘drifting’ events. Drifting is a lifestyle that involves customizing high performance and other vehicles to increase speed and allow drivers to deliberately oversteer so that on a race track cars lose traction and ‘slide’ around corners. It’s an exhilarating, adrenaline charged sport, but is also very much about the art of car modification and the dedication and learning it takes to get a car safe, on the road and ready to drift.

The essay has been published in the new issue of Meanjin. It is the first time a photo I have taken has been included with one of my stories. I’m pretty stoked. The design team at Meanjin have done a wonderful job in terms of the colour and layout of the image – my aim was to capture Billie’s wide eyes, which are quite pretty in the photo, in relation to the leather of her jacket, the hard metal of the stall’s roof and the heavy black of the steering wheel and dashboard in her Nissan ‘Sil-eighty’. Meanjin’s reproduction of the image nails it. The purple rendering of the image is gorgeous.

I’m unsure how or if this essay contributes to wider theoretical debate and practice in the field of creative non-fiction. My research on the concept has been on the backburner due to other writing and day job projects. Reading the piece now with some distance and in print, it strikes me as fairly straight forward in that it combines personal narrative with a series of interviews and my ‘on the ground’ observations as a writer in the field. I wrote description of actual events in a way that I felt was evocative and using fiction writing techniques, and included the occasional dose of humour to signal generational differences. The Media Alliance Code of Ethics was also an important reference for me when writing the story. When I get my head around the theory, I expect to understand more about the challenges and opportunities of my writing process for telling stories about real people and events.

What I love about the piece is that it tells a story of drifting and car culture from Billie’s perspective. She is passionate, lives life on her terms and is keen to involve more young women in the motorsport. Yesterday, after reading the story for the first time in Meanjin, Billie told me, “It’s really well written, paints the picture perfectly.” I felt pleased when she said this because I was striving for accuracy during the story in terms of what it feels like to be on the race track, and to present a complex representation of a young person involved in car culture and her lifestyle and pre-occupations.

Wilco, Thursday 6 May 2010 @ The Forum, Melbourne

Wilco is band that demand respect. A few weeks ago I put myself in credit card debt to go see the Chicago based rockers at The Forum in Melbourne, Australia. They jumped and rollicked their way through a feast of Wilco gems. It seriously rocked and the punters were salivating for more. I wrote a review of the gig and it’s been published at TheDwarf.com.au – I relished the return to music writing and injected this little nugget with plenty of cheeky machismo.

Live review of Wilco in Melbourne

Confronting housing inequality

This article was a weekly feature at Eureka Street in May 2009. It explored the effects of gentrification on people, families and communities from lower socio-economic and/or culturally and linguistically diverse backgrounds. The story highlighted how a lack of information and awareness around housing and renting options adds to the cost and challenges of relocation or finding a place to live due to gentrification.

Family memories for sale

The Herald Sun published a personal piece I wrote about my family’s beach house at Sandy Point.  My grandparents built their little shack in the early 60s and spent all those summers in the backyard with the kids, baking under the sun on brightly coloured banana lounges and smoking cigarettes. I used to go tree surfing down there – this involved jumping off the beach lookout (in some spots a three metre drop) into the tea trees on the dunes below.